We think Fujifilm's XV is the best choice for a photographer's carry-everywhere camera in Provided you can find somewhere safe to take pictures, of course. Take a look through our full review to find out more. With improved autofocus and a large touchscreen interface, we found ourselves really enjoying it. With a fast lens, GPS and useful tracking features, and Raw support, Olympus's flagship rugged compact continues to be the best waterproof camera on the market.

While improvements like HyperSmooth 2. The Lume Cube 2. It's also pretty pricey among its competitors, but its feature set and quality of light may win you over. Find out more in our full review. Whether you've grown tired of what came with your DSLR, or want to start photographing different subjects, a new lens is probably in order.

We've selected our favorite lenses for Nikon DSLRs in several categories to make your decisions easier. We've selected our favorite lenses for Canon DSLRs in several categories to make your decisions easier. We've selected our favorite lenses for Sony mirrorlses cameras in several categories to make your decisions easier.

The fixed lens camera market may be a bit niche, but it's here that you'll find some of the best cameras you can buy. Sensors ranging from APS-C to full-frame are designed to match their lenses, which cover ranges from mm equivalent, so image quality is top-notch.

Although a lot of people only upload images to Instagram from their smartphones, the app is much more than just a mobile photography platform. In this guide we've chosen a selection of cameras that make it easy to shoot compelling lifestyle images, ideal for sharing on social media. Submit a News Tip! Reading mode: Light Dark. Login Register. Best cameras and lenses.

Started 3 months ago Discussions thread. Maybe, it is irrelevant in the field, let me know.

Hey Nikon – Where’s the Z6 ProRes RAW Update?

Nikon Z6 If you believe there are incorrect tags, please send us this post using our feedback form. Re: 1. Linear vs Log. Re: Linear vs Log.In the process, Chris and Jordan explain the benefits of a Raw video workflow and why there's no such thing as a free lunch. Find out more about Nikon's ProRes Raw upgrade and how to get it. I don't see a huge difference in sharpness or noise, but look how much better the RAW footage picks up the colored lettering on the lenses at on the video.

It's night an day! Also I'm very impressed with the dynamic range. He's sitting in front of a window on a sunny day. That's amazing. That window would normally be blown out.

I have been looking into this and have seen similar complaints of moire in ProRes raw on other devices. Any input would be greatly appreciated. So will we get a review of 's worst camera, the Sigma Fp?

Looks like that might actually be better than the Z6. In that case, you only pay the shipping cost. Most will agree, 10 bit with a high bit rate like MBps will usually do. What you don't want is 8 bit with a super low bit rate of Mbps or less especially with an older codec. Colors break up while editing and you end up with bad artifacts when there is movement. Also wondered about framing a week or so ago where Chris had a tree growing out of his head and a sign at the far left of the frame.

Even though Adobe promised they'll support it in PremierePro, there is no update nor responses from Adobe Support on this topic. So yes, you can spend all the money for Nikon filmmaker's kit, upgrade everything, but unless you're on Mac or throw away your PremierePro and buy Edius depending on where you live, it can be more than EURyou can't do anything with it.

Samsung was too far ahead of the curve with h. Today though H. Also, the benefit of RAW is there is little decoding and it actually can make editing faster. It had a looong list of problems though.I don't think there is any known date for ProResRAW support implementation into Premiere Pro, which may mean it may take a year or even more?

The rest of your workflow remains in your own NLE. I'd like to use Davinci, but am wondering if Blackmagic will ever support ProRes since it's a direct competitor.

So, to Blackmagic, Davinci Resolve is a separate revenue stream. I am sure they have incentive to add features. Getting Mac is not really an option. Maybe using some for conversion but that takes away all the flexibility and defeats the main point of having the Z6 filmmakers kit.

nikon z6 prores raw

So the Nikon filmmaker's kits that were advertised for more than a year to be capable of RAW video recording weren't only about a year delayed with this capability, it's also only for Mac users. I'm starting to get weary of this Nikon's marketing of half-truths. Nikon said they would support ProResRAW and they delivered albeit late, with the added cost, and shipping.

But there was no half-truth. Until there is a broad adoption of ProResRAW, the viable option for you would be those that were listed above. I believe you can currently purchase a non upgradeable version for a cheaper price than the standard version. It sounds like a much more economical route for Windows-only users.

Compressor outputs to many formats, incl. It can even output to a 16 bit Tiff sequence if you have unlimited disk storage. Thank you Trevor, it looks like this software is more like EUR here, but I'll investigate the versions and hopefully find cheaper.

There is a lot going on now on Adobe forums as basically all the Adobe users who are upgrading their Zs are hitting the same issue. I didn't confirm yet, if this information is correct, but according to the key feature list it should be the case.

There were so many issues with my Z6 filmmakers kit i. There is non-upgradable student version od Edius for EUR, but that cannot be used for commercial work. It could be an interim solution to practice before Premiere Pro implements it though. I was thinking about getting old Mac for this, but then if it's cheap, it most likely wouldn't handle 4K video well anyway.

We think Fujifilm's XV is the best choice for a photographer's carry-everywhere camera in Provided you can find somewhere safe to take pictures, of course. Take a look through our full review to find out more. With improved autofocus and a large touchscreen interface, we found ourselves really enjoying it.

With a fast lens, GPS and useful tracking features, and Raw support, Olympus's flagship rugged compact continues to be the best waterproof camera on the market.RAW files record more color and greater detail in the shadows and highlights, which is particularly useful for high dynamic range HDR workflows.

The footage can also be pushed further in color grading, and offers greater flexibility to fix white balance and exposure issues. Or at least, it was. At that time, it was speculated that such a feature could allow compact mirrorless cameras to shoot RAW video and thus rival the image quality of cinema cameras, and Nikon has now become the first mirrorless manufacturer to allow its cameras to do so.

With bit color, it surpasses even the bit N-Log footage the Z6 and Z7 can output currently. It also yields a manageable file size that brings the option of RAW recording to more users, with a choice of data rates ranging from 80 to megabytes per second. We were already impressed with the video capabilities of the Z Series, but the addition of RAW video could propel Nikon ahead of its full-frame mirrorless rivals Canon and Sony, which have both dominated the video market in the past.

The firmware update, which does not have a release date at this time, will also bring eye-detection autofocus and CFexpress card support to the Z Series. What is bit video?

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Nikon Z6 ProRes Raw: Should you upgrade?

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The best laptops for photo editing 1 day ago.Follow us. Welcome to the Underwater Photography Guide. Our idea is simple - learn, shoot, explore. Full-frame mirrorless. We cannot overemphasize how much of a game changer this format really is. As testified by SonyCanon, Nikonand Panasonic — full-frame mirrorless is the future of photography.

For video, however, this revolution is even more apparent. Unlike with DSLRs, video is not an afterthought with mirrorless systems. Surprisingly, Nikon — historically known for its poor video capability — is making strides toward becoming the leader of the video pack. RAW video recording.

Post production is the most versatile when editing a RAW format. Although Log is designed to optimize the information outputted by the sensor for color grading in post — it still has some processing. RAW video is completely unprocessed.

nikon z6 prores raw

Photographed in Socorro, Mexico by David Sancho. RAW video is too dense of a file format to be internally recorded to the camera.

Nikon has gotten around this by partnering with engineers at Atomos, a popular manufacturer of external video recorders. Atomos has gone further to make it capable with ProRes RAW for Apple which helps manage space constraints by outputting a compressed file size that preserves all the details of the original RAW file.

The Nikon Z series is now one of the few photography-based cameras that can output bit RAW video — something normally done by professional camcorders.

As with any budding technology, there are a couple of limitations. The largest limitation is that you cannot recording in the camera internally when you are outputting 4K video on the monitor.

At lower resolutions you can do some internal recording often limited to 8 bit. For underwater videographers, bit Raw video output at a 4K resolution with a full-frame sensor is a pivotal moment in the artform.

It might even be the beginning of an era. Although the everyday photographer has had RAW file formats for years, RAW recording for video has historically cost the price of a car. The Nikon and Atomos partnership make it accessible to many more underwater videographers on a full-frame mirrorless system.

nikon z6 prores raw

A combination of the Atomos Ninja V and the Nikon Z6 the recommended camera for video will open the door to flexible and accurate white balance, dynamic range, detail, and color corrections for underwater video. This is huge. I would argue that enhanced control over video files could make underwater video become much more popular than it currently is.

Its video capability is similar to the D, meaning improved color and white balance accuracy underwater. Canon previously held the title for best underwater color, which meant that underwater videographers avoided Nikon. Professional and amateur underwater videographers are going to love this combination.Initial excitement and hype.

You rush to buy the camera the day it first hits stores. Oops, you are the only one that did, the price is now in free-fall with excessive marketing discounts, rebates, vouchers and kits. This was to transform the little sheep, Z6, into an all out 12bit RAW 4K video shooting maniac, with full control over the image in post and onboard the Atomos Ninja V recorder.

Quite a carrot to dangle in front of users, many of them buying the camera with that knowledge in mind. And then… Nothing. At the time, Newshooter reported that ProRes RAW allows separate companies to work together to provide raw video under a common framework.

Atomos may be using a closed loop protocol with-in HDMI.

Nikon Z6 ProRes RAW videos

What this basically means is that they are just taking the pixels and re-arranging them. Technically you could still do this without ProRes RAW but you would have to open up all of the processing on both ends to the other company involved. This is something that is unlikely to happen. So is the link with Atomos one reason for the mire? Nikon seems to want to keep the image processing out of the hands of both Apple and Atomos.

What if Atomos needed Nikon to open up and grant greater access to the camera side of things and they said:. The next reason for the mire, can be classed as rather speculative.

Apparently, so I have heard, there is a cult which goes around suing camera companies over raw video patents. Atomos has been one, Blackmagic another, Sony as well, maybe Sigma will be next for their bravado adding Cinema DNG to a small full frame camera. I hope not. Sony have quite a cozy relationship with Atomos, and have helped nurture Ninjas for a while. It sort of undermines all of the current Sony cameras, even the professional series, which record to Atomos decks.

What if Sony put pressure on Atomos? Look at the cameras in this screenshot… And spot the odd one out price-wise….

nikon z6 prores raw

And the final reason could be to do with Sony. Other Japanese camera users are reliant on Magic Lantern! How would stills guys react if mirrorless cameras only shot JPEG!? Comment on the forum.Nikon Z6 and Z7 owners have been waiting for this for a long time. Now, this is not a review, this is first impressions using a Beta version. We only got to spend about half a day doing some quick tests.

RAW over HDMI is here! We test drive the Nikon Z6 and ProRes RAW

I will do a full review at a later stage. Above you can see the footage we took. It has been a long wait, to say the least. You can download the firmware for the Ninja V here. When shooting is finished, the drive is removed and connected to a computer.

Footage can then be decoded debayered and edited in the highest possible quality. The maximum dynamic range, color accuracy, and detail are preserved, while at the same time every aspect of the video image can be controlled with precision for maximum creativity. Colors can be easily matched and the extra information means footage can be easily be manipulated in post-production, which is especially useful for grading and VFX shots.

Atomos may be using a closed loop protocol with-in HDMI. What this basically means is that they are just taking the pixels and re-arranging them. ProRes RAW makes it practical for separate companies to work together on RAW because it provides a framework that they can both use without giving away their own processing secret sauce. Technically you could still do this without ProRes RAW but you would have to open up all of the processing on both ends to the other company involved.

This is something that is unlikely to happen. Technically this could have been implemented very quickly, but as it involves Nikon, Atomos, and Apple there have probably been numerous hoops that needed to be jumped through. By bringing even more flexibility to post-production color grading, RAW video output support firmly places the Nikon Z series as an affordable contender for professional-level production and filmmaking of any scale.

This feature will require an additional internal upgrade that will need to be performed at a local Nikon service center, which will incur a service charge. Ninja V users can now update with the free AtomOS